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| author | Christophe Besson <cbesson@gmail.com> | 2026-09-19 13:45:56 +0200 |
|---|---|---|
| committer | Christophe Besson <cbesson@gmail.com> | 2026-09-19 13:45:56 +0200 |
| commit | f8223293a211a87c92b1fed80f5ca53660f6b26c (patch) | |
| tree | 02beb40e677389ade10c15d6040b19d67bb2dd93 /packages/meshbay-node/tests/test_daemon.py | |
| parent | eca01c7f970d2d3ab2298f934da9776fe01179c6 (diff) | |
| download | meshbay-f8223293a211a87c92b1fed80f5ca53660f6b26c.tar.gz | |
fix(node): the node decides which files it will transcode, not the player
`BROWSER_INCOMPATIBLE_AUDIO_EXTS` named the two formats no browser decodes and
was read by nothing. The player asked for `.wma` and `.mpc` and no others, and
`music-player.js` called itself "kept in sync with the node's" constant — so the
entire restriction lived in the caller, and a member's own message is not the
caller.
What that let through: this converts a whole file and holds a transcode slot
shared with video streaming while it runs. One message naming a two-hour film
spends minutes of the operator's CPU and a slot every other viewer is queued
behind. `AUDIO_TRANSCODE_MAX_BYTES` catches the result, after the work is done;
only the extension catches the work.
The client comment now says what it is — an optimisation that saves asking for a
refusal — rather than implying it is the rule.
Two tests: a film is refused before ffmpeg is reached, and a WMA still passes,
because a gate that refuses everything is not a gate.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Diffstat (limited to 'packages/meshbay-node/tests/test_daemon.py')
0 files changed, 0 insertions, 0 deletions